Saturday, August 1, 2020
A Personal History In Trans Lit
A Personal History In Trans Lit LUNA Itâs eighth grade and I canât stop reading this slim YA novel. After enough reminders from the school librarian, I return their copy and special order my own copy from the bookstore/café I work at. There are some books I reread because Iâm a depressed teenager who finds a semblance of sanity in returning to her favorite books but I donât even particularly like Luna. I think the narrator is bratty. (I do like how much opera she listens to because I donât know anyone else my age who likes opera.) Luna comes off as selfish and flat, I donât even enjoy the authorâs use of language, and yet I canât stay away from this book. Thereâs something in it, something familiar that Iâve never felt before and it terrifies me. Each time I read the novel the pain inflicted upon Luna feels real, sometimes realer than my own. Even though this book hurts me I keep rereading it because finally I know a girl like me. I canât put that into words yet, Iâm still telling myself Iâm a boy, but buried deep inside me is the knowledge that Iâm a girl and now I know that Iâm not alone. FINDING THE REAL ME Iâm fourteen, at summer camp, and Iâm having a hard time being a boy. In our workshops about gender as a social construct I find myself lying about how comfortable I am in my âmaleâ identity to cover up the fact that I actually loathe every minute of it. One of the counselors sees something in me and very casually gives me this anthology of personal essays from a wide variety of trans people. Just like Luna I find myself reading and rereading it in a way that might border on obsessive. The glossary is full of foreign words and I read it out loud but under my breath, each word (ze, mtf, cisgender) sounding like the spells from my favorite fantasy stories. Among the contributors there is such a wide variety of identities, pronouns, and experiences that I become disoriented as I try to take everything in. Thereâs so much pain and heartbreak in these essays but thereâs even more joy and hope and strength and happiness. This is new to me, the trans stories Iâm used to are the ones from television shows like CSI or Law and Order which always involve us on a slab in some morgue, even Luna ends right as she begins to experiences any real happiness. For the first time in my life I know that there are trans stories out there that arenât full of suffering and for some reason I find this immensely comforting. NEVADA âWhat do you mean you havenât read Nevada?â I donât appreciate the tone in my friendâs voice, like most of their recommendations this comes with an element of Cool Kid mentoring the schoolâs Nerdy Girl, an element of Read THIS If Youâre The Right Kind Of Trans, but their recommendations usually end up being solid so I let it slide and borrow their copy. Iâm almost 21, in my first year of my second college, and while Iâm openly identifying as a nonbinary trans person I know that for me Iâm just gathering my courage to say that Iâm a woman. Nevada becomes an escape from my mess of a life, a submersion into a fictional world whose main characterâs life is such a shit-show that she makes me look like Iâm put together. Maria Griffiths is an irresponsible mess I want to give a stern talking to and yet itâs her story that begins to give me the space to come out. This is the first fiction piece about a trans woman Iâve read that doesnât focus on her com ing out, doesnât waste pages talking about medical procedures that I canât afford, doesnât try to educate me. Instead for the first time Iâm reading a book about a trans woman bicycling in Brooklyn while drunk and kind of stealing a car and just living her life and for the first time I can begin to see a life for me.
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